Showing posts with label Maggie Smith. Show all posts
Showing posts with label Maggie Smith. Show all posts

Monday, 4 February 2013

Downton Abbey Season 3: Episode 5 on Masterpiece Classic PBS – A Recap & Review 3 February 2013 by Laurel Ann (Austenprose)

By Laurel Ann (AUSTENPROSE)


Recap of episode 5 (spoilers ahead)


Lady Sybil has been laid to rest and Downton Abbey will never be the same. The family’s grief and mourning is very acute, especially by her husband Tom Branson whose future there seems uncertain. The baby must be christened and Tom is determined to have her baptized in his own faith. This appalls Lord Grantham who feels her life will be doomed as a “left footer.” Catholicism vs. Anglicism is discussed at dinner upstairs and down and there is a definite division of beliefs. The growing rift between Lord and Lady Grantham over local Dr. Clarkson’s advice to save Sybil vs. the London specialist Dr. Tapsell moves the Dowager Countess to step in and convince Dr. Clarkson to tell her son and daughter-in-law that Lady Sybil was destined to die even with the surgery he recommended. This realization mends the fence and they are reconciled in their grief.


Here are a few of my favorite moments from episode 5


“Did you hear about Tom’s announcement at breakfast? He wants the child to be a left footer.” – Lord Grantham

It was interesting to see all of the household’s reaction to the Catholic vs. Anglican issue. It helped us remember what era this drama is placed in and how important your choice of faith was.


READ MORE OF AUSTENPROSE'S RECAP:  http://austenprose.com/2013/02/03/downton-abbey-season-3-episode-5-on-masterpiece-classic-pbs-a-recap-review/

Michelle Dockery: Essential Lady Mary moments from Downton Abbey (MASTERPIECE)


Saturday, 2 February 2013

National Theatre To Invite Biggest Stars Back For 50th Anniversary PA | Posted: 31/01/2013 09:24 GMT | Updated: 31/01/2013 09:32 GMT (HUFF POST)


Some of the biggest stars to ever tread the boards at the National Theatre will be invited back for a special 50th anniversary show.

The theatre's director Nicholas Hytner said the "one-off performance", which he will direct, is to be broadcast on BBC2.

He said: "That will be a celebration of 50 years of the National Theatre.

"It will tell the story of those 50 years through a montage of highlights from those 50 years.

"It will be largely live but there will be a small amount of filmed or archived material in it and I hope it would involve as many as possible of the great performers of the last 50 years who are still with us."

Among the stars that have performed at the theatre on London's Southbank are Benedict Cumberbatch, Dame Judi Dench, Dame Maggie Smith and James Corden but Hytner refused to confirm any names, telling reporters: "We've started the asking but I can't tell you yet because it's nine months in the future and inevitably people are saying, 'Yes of course, if we're available'."




Monday, 28 January 2013

SAG Awards 2013: 'Downton Abbey' wins ensemble in a drama series (LOS ANGELES TIMES)



By Patrick Kevin Day
January 27, 2013, 6:45 p.m.

"Downton Abbey," the British drama series that airs on PBS, won the SAG Award for ensemble in a drama series at the 19th Screen Actors Guild Awards.


"Downton" is an international sensation, being the most-watched series on PBS in the U.S. and ITV in the U.K. It also received nominations for Michelle Dockery, who plays Lady Mary Crawley, and Maggie Smith, who plays the Dowager Countess of Grantham, both in the category of female actor in a drama series.

READ MORE: http://www.latimes.com/entertainment/envelope/tv/la-et-st-sag-awards-downton-abbey-ensemble-in-a-drama-series-20130123,0,5466491.story

'Downton Abbey' Season 3 Recap: Unbearable Tragedy Strikes Posted by Adriana Velez on January 27, 2013 at 10:36 PM (THE STIR)



To quote the Dowager Countess, "Nothing is as bad as this." It was her most memorable line of the episode. But this line was uttered out of agony, and I'd take a million of her barbs over that. Did you ever think you would see Violet crumple in tears? That was one of the most heartbreaking moments in this episode.

If you haven't seen this one yet, stop right here. MAJOR SPOILER ALERT. Oh my God, this episode was almost too much. So horribly tragic -- and so infuriating.

***WARNING: SPOILERS AHEAD***

You saw this coming with Sybil, right? From the moment Sir Philip arrives on the scene, with his title and all that toff brotherhood between him and Grantham. Sybil was pretty much sacrificed on the altar of England's dysfunctional class system. Sir Philip breezes in, and Grantham immediately prefers him over the family physician, Dr. Clarkson. Oh sure, Clarckson's been wrong before -- but he knows his patients, and his vision isn't clouded with smug arrogance.

Grantham and Sir Philip are infuriating. But the misery over Sybil's  death by eclampsia shortly after the birth of her daughter runs even deeper for the family. And what a horrible death it was -- from the scary labor down to the convulsions at the end. The kindest, most loving person in the Crawley family had an unjustly wretched end.

READ MORE; http://thestir.cafemom.com/entertainment/150209/downton_abbey_season_3_recap

Sunday, 27 January 2013

'Downton Abbey' Recap: 'Like Too Many Women Before Her' The women - and men - of Downton pay the price for the patriarchy (ROLLING STONE)


By Sean T. Collins
January 27, 2013 10:05 PM ET


The thing about comfort food is that when someone serves you a piping hot plate of it week after week, you never suspect that one day they're going to grab it and smash it into your face.

Downton Abbey is just a soap opera, as both its admirers and detractors will tell you; what side of that divide they come down on depends on both how they feel about the genre itself and this show's impeccable version thereof. And while people die on soaps all the time, those deaths are typically tearjerkers, not gut-punchers. That's certainly been the case on Downton until this point, where the major deaths – Kemal Pamuk, Cora Bates, William, Lavinia, even the Crawley heirs whose deaths on the Titanic started it all – have meant more to us in terms of how they've affected the survivors than the dyers themselves.


So I'll admit it: Despite the ominous rumblings from across the pond, where this season aired months ago, I never saw this coming. Not when Dr. Clarkson mentioned his concerns about pre-eclampsia. Not when the family really started to fight about which doctor was in the right. Not when the childbirth seemingly went off without a hitch. Not when Sybil was issuing ominously final-sounding instructions about how her family should be treated. Not even when the panic-stricken family gathered in Sybil's room, watching her scream and pound her own head and seize and convulse and gasp for breath. Surely, surely, something could be done. That's the kind of show this is, right?


Wrong. And in proving it wrong, creator/writer/showrunner Julian Fellowes and actress Jessica Brown Findlay delivered more than just one of the most physically unbearable-to-watch death scenes this side of Breaking Bad or Deadwood – they served up the show's most powerful broadside against its own sexist system yet.


Every woman I know who's experienced pregnancy and childbirth has at least one jaw-dropping story of creepy or condescending or infuriating paternalism by some male medical professional or other. Well before you get into the well-documented War on Women territory of moving to convict rape victims who abort their pregnancies of felony evidence tampering, women's physical and psychological pain during this process is too often treated like an inconvenience to be brushed aside or powered through rather than treated with all due hippocratically mandated urgency. If those needs are not taken seriously, neither is the gender that generates them.

In tonight's episode, that paternalism becomes tragically literal. That tragedy is foreshadowed when an ebullient Lady Edith learns she's been offered a gig as a newspaper columnist, with a carte-blanche remit that would make a 21st-century freelancer of any gender flip the eff out. (Ahem.) Without even realizing how condescending he's being, Robert reacts as though the editor only made the offer to draught off the great Earl of Grantham's family name. When he looks at his daughter he sees neither her talent nor her need for support, only a weaker-sex reflection of himself. And among his peer group, he's a relatively open-minded guy! Downton Season Three's laser-precise exploitation of Lord Robert's weaknesses has been kind of remarkable to behold.

Enter the odiously arrogant doctor Sir Phillip, and the mistake that costs Sybil her life. Confronted with a difference in opinion among two male medical professionals – one of whom has known Sybil not just as a patient but as a person (and even a staff member, during the War) since birth and therefore reacts to her uncharacteristic appearance and behavior with alarm, the other who'd never even met her until the day before and therefore blows it off – Robert and Cora split on what should be done. Naturally, the default decision is to do what her father prefers: nothing. The delay costs them precious time, preventing them from taking the question to Sybil's husband Tom to make the final call; by this point Sybil herself is too incoherent to make the decision herself. Father knew best, until he didn't.


Read more: http://www.rollingstone.com/movies/news/downton-abbey-recap-like-too-many-women-before-her-20130127#ixzz2JEqTnmup 
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Michelle Dockery devastated by Lady Sybil death Source: Bang Showbiz



Michelle Dockery was "devastated" while filming Lady Sybil's death in 'Downton Abbey'.

The 30-year-old actress ・who portrays Lady Mary in the ITV1 period drama ・ and Laura Carmichael, who plays Lady Edith, were disappointed when Jessica Brown Findlay's alter-ego was killed off, and the brunette beauty really misses her "distinctive" laugh. She said: "We knew a couple of weeks prior to filming the episode what was going happen to it felt like this huge build up. One of the last scenes we shot with Jessica was where the sisters say goodbye to her, and me and Laura Carmichael [Lady Edith] were just devastated playing it.

"We've spent three years of our lives together so Jessica going was as wrench. I miss her laugh, it's really distinctive."

While Michelle was distraught filming Sybil's death, she puts her full trust in 'Downton Abbey' co-creator Julian Fellowes and is "excited" to see what is going to happen to each character in the show.

READ MORE: http://www.list.co.uk/article/46721-michelle-dockery-devastated-by-lady-sybil-death/

'Downton Abbey' Season 3 episode 4: Lady Sybil's baby arrives, get out the hankies By Andrea Reiher January 27, 2013 10:00 PM ET (ZAP 2 IT)



This might just be the finest episode "Downton Abbey" has ever done. It is certainly a masterclass in acting from everyone involved. Be warned: Don't keep reading if you haven't watched yet.

Lady Sybil has died in childbirth. What an absolutely gut-wrenching hour of television. When Sybil goes into labor, there are some issues and Dr. Clarkson wants to move her to the hospital. But Lord Grantham's stuffy specialist Sir Phillip says everything is perfectly normal.

And a healthy baby girl arrives. But Sybil goes into seizures in the middle of the night and dies, with her family surrounding her, begging the doctors to do something. By that point it's too late.


Kudos to Elizabeth McGovern and Allen Leech as Cora and Tom. Their acting in Sybil's death scene was rip-your-heart-out good. This episode could really be anyone's Emmy reel, though -- from the Crawleys to the staff to Lady Violet. Maggie Smith's small moment at the end with Carson and then the hitch in her walk said more than 1000 words could express.


It was also a nice showing for Anna and Thomas, both of whom were closer to Lady Sybil than the other staff. Really just stellar work all around.

READ MORE: http://blog.zap2it.com/frominsidethebox/2013/01/downton-abbey-season-3-episode-4-lady-sybils-baby-arrives-get-out-the-hankies.html

Saturday, 26 January 2013

'Quartet' illuminates no matter the age (PHILLY.COM)


STEVEN REA, INQUIRER MOVIE COLUMNIST AND CRITIC
POSTED: Thursday, January 24, 2013, 2:31 PM


'Old age ain't no place for sissies," Bette Davis once famously observed. In Quartet, set in a Georgian-style mansion on a lovely patch of English countryside, the "ain't" has been changed to a more proper "is not." But still, the point is clear: Even here at Beecham House, a stately home for retired musicians, getting old is a challenge.

The body breaks down, and sometimes the mind. And memories of past glory rush back to remind you that there's not much glory happening at present.

Adapted by Ron Harwood from his stage play, and directed - in a smart and accomplished debut - by Dustin Hoffman, Quartet is a charming and poignant investigation into the autumn years in which four friends, former opera company stars, come together to put on a show. Of course, there are obstacles to surmount along the way: Jean Horton (the ever droll and beguiling Maggie Smith), a reluctant new arrival at Beecham House, long ago broke the heart of Reginald Paget (Tom Courtenay), a dapper chap who is not happy to see Jean again.

Meanwhile, the bubbly Cissy (Pauline Collins) is showing signs of Alzheimer's - forgetfulness, disorientation - and the randy Wilf (Billy Connolly) has prostate issues. A hopeless flirt, Wilf's nonstop come-ons to Beecham's female staff, and to the attractive young doctor who runs the place (Sheridan Smith), would be offensive if his lechery weren't so benign. A man with a waggish smile and a Scottish brogue can be forgiven much.

Read more: http://www.philly.com/philly/entertainment/movies/20130125__Quartet__illuminates_no_matter_the_age.html#ixzz2J7dGkBir 
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Wednesday, 23 January 2013

Hugh Bonneville: “I Hope ‘Downton’ Ends While We Are Ahead” By Fraser McAlpine | Posted on Tuesday, January 22nd, 2013 (BBC America)



Here’s a worrying thought.

Hugh Bonneville, star of Downton Abbey, thespian of note and general all-round thinking person’s Lord of the Manor, has expressed a worry that the TV series that not only made him a household name (in places where Downton is a hit, obviously) but also keeps him in hot dinners, should end sooner rather than later.

His concern appears to be keeping the brand alive at the cost of the things that make it a success, namely the period in which it is set, the age and experiences of the characters, and Julian Fellowes’ ability to make the passing of history sit comfortably within the world he has created.

He told the Mail: “I am sure the money men would like it to go on for ever and ever because it does sell extremely well around the world. I think the next series is nudging forward and starts six to eight months ahead from the last and I think we will start to bump into other period dramas if we are not careful time wise.”

By which he presumably means Brideshead Revisited, revisited.

READ MORE: http://www.bbcamerica.com/anglophenia/2013/01/hugh-bonneville-i-hope-downton-ends-while-we-are-ahead/

Tuesday, 22 January 2013

NEWS/Downton Abbey Recap: Sybil and Branson Are on the Lam by Christina Dowling Sun., Jan. 20, 2013 8:00 PM PST (E!)


WHAT WE LEARNED
It Was a Dark and Stormy Night: Tom Branson (Allen Leech) brought some rainy weather with him when he crossed the Irish Sea and he has quite the tale to tell. Something that is a surprise to no one who has watched Downton's previous two seasons is that Tom is fighting for an independent Ireland. We might as well admit we are huge nerds for Irish history, but if you aren't caught up you should probably get on Wikipedia so you understand the Maud Gonne, Countess Markievicz and Lady Gregory shout-outs. Long story short he was present—but feeling very guilty—when a country house was burned to the ground. Ruh. Roh.

Turns out that Tom, while he might be wanted for arson, isn't a terrible person who left Sybil pregnant and alone in Ireland. It was all part of the big escape plan. But presumably getting banished from Ireland and stuck at Downton was not. However it is terribly convenient for the Bransons to come back to stay: All the drama is back under one roof!

Out of Favor: Bates (Brendan Coyle) is still walking in circles in the most depressing place in the world. And even worse he hasn't been getting any letters from his dearly devoted wife, Anna (Joanne Froggatt). Bates learns he is actually quite good at working the system in prison. Maybe he's done some hard time before or just watched a lot of Oz.

READ MORE: http://www.eonline.com/news/380369/downton-abbey-recap-sybil-and-branson-are-on-the-lam

Friday, 18 January 2013

Quartet review: Beautiful music Published on Thursday January 17, 2013 (THE STAR)


 From left, Billy Connolly, Maggie Smith, Tom Courtenay and Pauline Collins are determined to go down singing.

By Linda Barnard
Movies Writer


Starring Pauline Collins, Billy Connolly, Tom Courtenay and Maggie Smith. Directed by Dustin Hoffman. 98 minutes. Opens Jan. 18 at major theatres. PG

Dustin Hoffman’s directing debut, Quartet is a bit shameless in its approach, but for those who enjoy a whimsical drama that includes scenery chewing from grand dames and hammy fellows, it’s a welcome if often predictable treat.

This gentle comedy about life in Beecham House, a British county home where retired musicians are put out to pasture while refusing to extinguish their creative sparks, is based on Oscar winner (The Pianist) Ronald Harwood’s 1999 play of the same name.

Thanks to Hoffman, it boasts well-crafted dialogue for a cast that’s about as good as it gets when it comes to actors of a certain age: Maggie Smith, fresh from collecting bouquets for The Best Exotic Marigold Hotel and dispensing brickbats in Downton Abbey, is joined by Tom Courtenay (The Dresser), Scottish funnyman Billy Connolly (Mrs. Brown) and Pauline Collins (Shirley Valentine).

Former opera stars Wilf (Connolly), Cissy (Collins) and Reggie (Courtenay) are beavering away with the rest of the musical seniors on the home’s annual gala fundraising concert. When legendary diva Jean Horton (Smith) reluctantly arrives to stay, they think they may be able to reunite what was a London operatic dream team and wow the audience with their famous quartet from Rigoletto.

Fat chance, according to waspish Jean, horribly shamed to have ended up at Beecham House. But her acid tongue deflects from her real fear: she can’t sing like she used to and high notes elude her. She’d flounce off, but her cane makes that difficult.

Sweet and simple Cissy is eager to befriend her again, reminiscing about their years on the opera stage together, but Jean nastily rebuffs her. Reggie, who has a curious history with Jean, is clearly still smarting. Only Wilf, a bottom pincher and public urinator who blames his lapses in decorum on a stroke removing his social filters (don’t you believe it) can seem to sweet-talk Jean, but the effects rarely last.



Thursday, 17 January 2013

Downton Abbey - The best of Maggie Smith


PRAISE THE BRITISH TV GODS! DAME MAGGIE SMITH WILL BE BACK FOR SEASON FOUR OF DOWNTON ABBEY. by Rebecca Pahle | 12:30 pm, January 17th, 2013 (THE MARY SUE)



Downton Abbey executive producer Gareth Neame has confirmed that the Dowager Countess Violet Crawley will be back in season four of Downton Abbey to lord over all those peons who pretend they could be as good as her. Pish.

The return of Dame Maggie Smith to Downton wasn’t a sure thing before now; last summer showrunner Julian Fellowes admitted “I can’t tell you, ‘Oh, yes, she’s definitely contracted [for Season 4] — because she isn’t. It’s entirely up to her when she stays and when she goes,” adding “With Maggie, you never know, Other [actors] sign on for the next series and they sign for this and they sign for that, but she doesn’t. She stays her own person.”

That’s right. Because Dame Maggie is a legend.

READ MORE:  http://www.themarysue.com/maggie-smith-downton-abbey/

Downton Abbey - Scene from Episode Three


http://www.pbs.org/wgbh/masterpiece/watch-online/shorts/downton-abbey-season-3-scene-episode-3/?elq=5c8d800f5b7643c288b7d3423b967747&elqCampaignId=506

Tuesday, 15 January 2013

Good and Bad (Spoiler-free) Downton Abbey News Concerning Maggie Smith and Season Four by Julie Miller (VANITY FAIR)



As the headline suggests, both positive and negative updates arrive via post-Edwardian courier today about the popular British drama—although rest easy, they do not relate to Edith’s new marriage or Mrs. Hughes’s delicate health. Still, summon your inner American courage.

In disappointing news, despite PBS’s halfhearted comment about maybe possibly finding a way to broadcast Downton Abbey closer to the drama’s U.K. air dates, the series will likely continue to run in the U.S. nearly four months after it does overseas. The reason, it seems, is mostly our fault, for nearly doubling the show’s season-premiere ratings earlier this month. Had we made a pact beforehand to resist the premiere as part of a long-term strategy to reduce this annual Bates-ian prison-sentence delay, PBS chief Paula Kerger may have been motivated to schedule the next season this fall.


READ THE REST:http://www.vanityfair.com/online/oscars/2013/01/maggie-smith-downton-abbey-season-four-delay