Ripper Street: BBC gets it right again with this ripping good unsettling yarn JOHN DOYLE The Globe and Mail Published Friday, Jan. 25 2013, 5:00 PM EST Last updated Friday, Jan. 25 2013, 7:23 PM EST

The good, gruesome new Brit drama Ripper Street (Saturday, Space, 9 p.m.) is set in 1889 and yet feels both contemporary and very familiar.

For the umpteenth time in movies and TV, we’re taken back to the era of Jack the Ripper – the filthy, teeming streets of London, brothels, bodices and earnest police officers trying to use new technology and forensic evidence to solve crimes.


The sense of the contemporary was emphatic in the opening episode. The setting was the period when Jack the Ripper seemed to have stopped his killing spree, and viewers first saw a ghoulish bit of tourism unfold – people were being led around East London to see the exact spots where the Ripper’s victims were found. At the same time, there was an avid tabloid press competing for new information about the serial killer.

A body was found. It looked like the Ripper’s work, but was it? It was the task of Police Inspector Edmund Reid (Matthew Macfadyen), his Detective Sergeant Drake (Jerome Flynn from Game of Thrones) and Captain Homer Jackson (Adam Rothenberg), a former Pinkerton detective and U.S. Army surgeon, to determine what was going on.

The seediness and depravity of London during the period was on full display (in the U.K., where Ripper Street has been airing recently on the BBC, there were many complaints from viewers about some gory, blood-soaked scenes), and the series continues to be unafraid to disturb.

The second episode airs on Saturday – you can find the pilot on demand – and it becomes clear that each episode is both an excellent mystery and highlights a key aspect of the period in which it is set. The first episode dwelt much on the arrival of commercial pornography. This one deals with the role of children in the late Victorian period.

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'I Tried Generally Not F***ing Up': Matthew Macfadyen Talks About Ripper Street (E.)

With the success of British period drama Downton Abbey, the US audience are set for another treat from our fair isles in the form of Ripper Street.

With his role in the show an important part, actor Matthew Macfadyen has spoken to The Hollywood Reporter about his role, admitting that he "tried generally not f***ing up", on the show which is set in Victorian London.

Speaking of his role playing Inspector Edmund Reid, the actor revealed that Reid is "very free-thinking and forward-thinking.

"He was a very moral man. At the time, it was a different kind of morality."

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Ripper Street Review of Episode 2 (DEN OF GEEK)

Review Jamie-Lee Nardone

This week's Ripper Street plays out like a post-watershed Oliver Twist. Here's Jamie-Lee's review...


This review contains spoilers.

1.2 In My Protection

Imagine your worst nightmare: a plague of zombies, an infestation of giant spiders under the bed, or a massive scratch on your limited edition The Dark Knight Rises Blu-ray ... Now try and fathom something far more evil and you will have a vague idea of the level of depravity that the second episode of Ripper Street approaches. That’s right. Last week, it was Victorian snuff movies. This week, it’s Children Who Kill. And how. Think Oliver Twist, if Tarantino had been around offering advice to Dickens during a session in the local ale house, after devouring a year’s worth of penny dreadfuls.

The episode starts with the killing of a toymaker. A fourteen year old boy carrying the dead man’s possessions is brought to the police by a group of vigilantes who seek justice for the streets of London. This group is lead by George Lusk, played by Michael Smiley who, as usual, does not fail to impress. Assuming the role as a voice of the people with lynch mob mentality and the kind with lack of attention to details, he stirs up tension among the public and openly taunts Detective Inspector Reid (Matthew Macfadyen), claiming that he and his force are ineffectual and his mob need to do his job for him. Lusk rallies them to court and seeks the ultimate punishment for the boy, who refuses to neither speak nor deny the charge and is sentenced to death.


Enter Carmichael, played by the phenomenal Joe Gilgun of This is England and Misfits fame to stir things up as Whitechapel’s very own X-rated Fagin. Leading an army of orphan-criminals, he plays the perfect psychopath, demanding respect at all costs. And he’s not merely teaching them to pick a pocket or two. There’s something much darker going on with him.

But Reid is perturbed by the child’s silence, and aided by a concerned lawyer and orphanage governess, decides to get to the bottom of what actually happened and what is currently going on at the hands of Carmichael’s thirst for unyielding subservience, obedience and crime. Oh, and his army of teeny, tiny assassins.

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Matthew Macfadyen and GOT's Jerome Flynn Talk BBC America's Ripper Street A period show with a contemporary feel. by Roth Cornet JANUARY 5, 2013 (IGN)

BBC America is set to premiere their period procedural crime drama Ripper Street beginning on January 19 (the show is already airing in the U.K.).

Set in Victorian London, the series focuses on Inspector Edmund Reid (Matthew Macfadyen), who is haunted by the failure to catch the notorious Jack the Ripper. Reid heads up H Division, the toughest district in London’s East End, as new murder investigations bring the fear that Jack could be back. Ripper Street also stars Jerome Flynn (Game of Thrones), Adam Rothenberg (Alcatraz), Myanna Buring (The Twilight Saga, White Heat) and David Dawson (Luther, Secret Diary of a Call Girl).

Series creator Richard Warlow, Executive producer Will Gould, Macfadyen, Flynn and Rothenberg were all present at today's TCA (Television Critics Association) tour to talk about the show.


Ripper Street is structured as a procedural crime drama set against London's East End, shaken in the wake of the still-at-large Jack the Ripper.

"The whole point of the show is that its about what it was like for the police at the time, the confusion and loss," said series creator Richard Warlow.

The show does not plan to create a manufactured "reveal" of who the Ripper is at its conclusion. The intent is to focus on what the failure to capture him did to do the officers who hunted the killer, and to a community that felt the need to raise civilian forces to do the work that, some felt, the officials either would not, or could not accomplish.

The idea isn't to solve the legend, but rather to, "do a period drama that delved into the bloodier/darker side of our past, rather than just people sitting around drinking tea," Warlow says.

"We will explore the aftermath into the second series, and the Ripper's presence will always be a part of our characters lives," executive producer Will Gould added.

Though it is period, what interested the creators and the cast is that the characters would actually consider themselves, "quite modern," Macfadyen says.

Adding: "They would have felt incredibly cutting edge."

"I found Reid fascinating because he’s not a stock detective character, he's a modern and forward looking man rather than a jaded copper," Macfayden says.

READ MORE: http://www.ign.com/articles/2013/01/05/matthew-macfadyen-and-gots-jerome-flynn-talk-bbc-americas-ripper-street