Showing posts with label leo tolstoy. Show all posts
Showing posts with label leo tolstoy. Show all posts
Sunday, 20 January 2013
Matthew Macfadyen talks 'Ripper Street' and 'Anna Karenina' New BBC America drama premieres on Saturday night BY DANIEL FIENBERG SATURDAY, JAN 19, 2013 3:33 AM (HIT FIX)
Like many a British thespian, Matthew Macfadyen has reliably bounced back and forth between the big screen and television, whether wooing Elizabeth Bennett in "Pride & Prejudice" or battling international intrigue in "MI-5."
Fresh off a well-received supporting turn as Oblonsky in Joe Wright's "Anna Karenina" this winter, Macfadyen is back on TV on Saturday (January 19) night fighting crime in Victorian England in BBC America's "Ripper Street."
During the Television Critics Association press tour this month, I sat down with MacFadyen to talk about his role as Detective Inspector Edmund Reid on "Ripper Street," which was created by Richard Warlow and co-stars Jerome Flynn and Adam Rothenberg. We also talked a bit about Wright's highly theatrical Tolstoy adaptation, as well as his creative process.
Click through...
HitFix: I know you said on the panel that it was the script that attracted you, but what was the kernel that piqued your interest?
Matthew Macfadyen: It's the whole thing, I think. I wasn't a kernel. It was the writing, the character, the idea of doing a series sorta appealed and it took me by surprise, because it wasn't my plan to do another series. I wasn't looking for a series to do and it just sorta ticked a lot of boxes and it was... yeah.
HitFix: How much was it that you didn't want to do a series and you were surprised to find one that appealed to you and how much was it just that you weren't specifically looking to do another series?
Matthew Macfadyen: I just read it like this [he mimes flipping through the pages swiftly] and thought, "This is fabulous." That's the acid test, whether you want to read it and want to be in it.
HitFix: It seems like there are these rules that America actors often seem to stick to, like "I don't want to do television, I want to do..." And British actors seem not to feel bound by that same restrictions. And that always seen a little odd.
Matthew Macfadyen: Yeah. I feel like an actor. I'm not a movie actor or a theater actor. I'd like to work in all three mediums.
HitFix: But when you have a pile of scripts, does your eye go to what medium an individual project is destined for?
Matthew Macfadyen: No. A little bit. You sorta factor it in. It's a combination of practicalities and the script and also how much it's going to stretch you or how different it is to the thing you've done most recently. Those kinds of things.
HitFix: So tell me about how the character here, about how Reid stretched you from the thing you did previously?
Matthew Macfadyen: Well, what was the last thing I did? I'd played this buffoon in a movie before that, so it was a very different kind of character. He's quite a solid detective part. I just wanted to be part of the show.
HitFix: Is this a time period that you have an interest in? Or does that factor into your decision?
Matthew Macfadyen: Sure. Yeah. More and more I found it fascinating and I looked at a lot of... I spent hours looking at photographs before we started shooting and during the shoot, which I found endlessly fascinating. You're sorta looking to see how different it is, because I know the streets, I know the area where we were shooting, so it's fascinating life. They had these big pictures of London life in the period. So... ummm... Yeah. It's all interesting stuff.
HitFix: Where were you doing this research?
Matthew Macfadyen: At home on my computer.
HitFix: Just Googling...
Matthew Macfadyen: Oh yeah, yeah, yeah.
HitFix: How does that kind of research inform you when you're actually putting together the character, what you can learn from looking at pictures?
Matthew Macfadyen: I don't know. I don't know how my performance would have been any different had I not looked at the photographs, but it's just interesting. You can't play "research." You can kind of have ideas, but it was just sort of interesting and allows your imagination to work, I suppose.
Read more at http://www.hitfix.com/the-fien-print/matthew-macfadyen-talks-ripper-street-and-anna-karenina#5GpDdYDQ06hqVFrM.99
Russia gives new ‘Anna Karenina’ chilly reception (KHALEEJ TIMES)
(AFP) / 20 January 2013
The latest film version of Leo Tolstoy’s ‘Anna Karenina’ has prompted a storm of passions in Russia where some critics have slammed it as cliched, shallow and insulting to Tolstoy’s monumental work.
British director Joe Wright’s costume drama starring Keira Knightley in the title role opened in Russian cinemas this month but its reception highlighted how hard it is for foreign versions of Russian classics to win recognition in the country.
‘This is like a lavishly illustrated, glossy children’s primer,’ wrote the Izvestia daily.
‘Anna Karenina has been crushed by the scenery,’ wrote Kommersant business daily, saying that Wright’s stagey concept of setting the film in a theatre made it ‘hard to take it too much to heart.’
‘From the very first minutes of Anna Karenina, your heart sinks at the excessive production,’ wrote Boris Nelepo on Afisha lifestyle magazine’s website.
‘This constant scenery-changing is the only device, a fairground attraction at the heart of the film.’
The new film version faced a tough audience of Tolstoy buffs in Russia, where it was released January 10 and has made $4.7 million, according to Variety Russia magazine.
Here school children are forced to read Tolstoy’s ‘War and Peace’ in its entirety and even those who skip ‘Anna Karenina’ are familiar with a 1967 Soviet film version starring eyelash-fluttering Tatyana Samoilova.
Nit-picking critics and viewers slammed howlers in the new film such as aristocrat Levin living in what appears to be a peasant’s wooden hut — topped with onion domes.
‘Two hours of absurdity,’ one commentator wrote on the Kommersant website.
‘It’s not bad if you watch it as a comedy.’
Wright’s Bafta-nominated film was scripted by Tom Stoppard, who is a regular visitor to Russia and wrote his ‘The Coast of Utopia’ trilogy about Russian thinkers.
The film ‘could only be bought and released in Russia in a state of complete moral collapse,’ thundered award-winning biographer and poet Dmitry Bykov on Openspace.ru arts website.
He slammed it for ‘making a mockery’ of the novel and even suggested passing an ‘anti-Wright law putting a parliamentary embargo on all Keira Knightley’s future films.’
‘The English Karenina is too bony’—
READ MORE: http://www.khaleejtimes.com/kt-article-display-1.asp?section=entertainment&xfile=data/entertainment/2013/January/entertainment_January34.xml
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